21st of May 2013
 
aseaofquotes:

Khaled Hosseini, A Thousand Splendid Suns

aseaofquotes:

Khaled Hosseini, A Thousand Splendid Suns

(via booksandahotbeverage)

19th of May 2013
 
If you have built castles in the air, your work need not be lost; that is where they should be. Now put the foundations under them. 
Henry David Thoreau (via ruineshumaines)

(Source: showslow, via quote-book)

 
18th of May 2013
 
mucholderthen:

Grey Heron19th century IndiaWatercolor on paper
For the British men and women who went to India, the study of natural history was both scientific inquiry and fashionable pastime. They trained local artists, often skilled court painters seeking new patronage, to record the country’s flora and fauna with scientific precision.
(South Asian Art)

mucholderthen:

Grey Heron
19th century India
Watercolor on paper

For the British men and women who went to India, the study of natural history was both scientific inquiry and fashionable pastime. They trained local artists, often skilled court painters seeking new patronage, to record the country’s flora and fauna with scientific precision.

(South Asian Art)

17th of May 2013
 

(via cofftea)

13th of May 2013
 
fairy-wren:

Western Yellow Wagtail. Photo by kivza

fairy-wren:

Western Yellow Wagtail. Photo by kivza

 
mucholderthen:

Paul Jacoulet (1902-1960) Les Paradisiers  |  Mènado, Célèbes (The birds of paradise, Menado, Celebes)
(Christie’s)

mucholderthen:

Paul Jacoulet (1902-1960)
Les Paradisiers  |  Mènado, Célèbes
(The birds of paradise, Menado, Celebes)

(Christie’s)

12th of May 2013
 

So. Much. Physics. Ugh. I just want gulls.

 
mucholderthen:

Katsushika Hokusai  Japanese, 1760–1849
Cranes by the ShoreIllustration for The Leg Shell (Ashigai), from the series “A Matching Game with Genroku-period Poem Shells (Genroku kasen kai awase)”, 1821
Color woodblock print with metallic pigments; surimono shikishiban
[ via thejapanesewoodblock ]

mucholderthen:

Katsushika Hokusai  
Japanese, 1760–1849

Cranes by the Shore
Illustration for The Leg Shell (Ashigai), from the series “A Matching Game with Genroku-period Poem Shells (Genroku kasen kai awase)”
1821

Color woodblock print with metallic pigments; surimono shikishiban

[ via thejapanesewoodblock ]

 
He was as much himself again as he ever would be, and yet that “self” would never be the same again for now he knew the meaning of fear as it defines itself in its most violent form, that is, fear of the death of the beloved, of the loss of the beloved, of the loss of love. It was the beginning of an anxiety that would never end, except with the deaths of either or both; and anxiety is the beginning of conscience, which is the parent of the soul but is not compatible with innocence. 
Nights at the Circus  Angela Carter (7 May 1940  16 February 1992)

(Source: buxombibliophile, via bookishbiologist)

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